The door and the step are plain. They open right onto the lane. Unlike the other addresses on this street, this one is off-limits to the public. Even the windows are latched in, the curtains drawn; it’s a warm day and I wonder if the room has air-conditioning.
The door is a dark brown wood except for the fixtures. Despite a few scratches, it wears a shine that comes from weekly detergent scrub downs. Beside the cement step stands a leafy potted plant and a couple of shrubs. It lends a hint of softness to the otherwise rigid front. And between the plant and the step stands a seemingly content headless statue.
He is bare-chested and sticks out his pot belly without apology – in his defence it is very well sculpted. The cloth around his waist is held together in a tight knot; the pleats hold together in a stiff, disciplined flow. He has a portly and lively disposition, and I think if he had his head about him, it would be cheerful.
I wonder where it is and what happened. Maybe it was an accident – an exuberant bicycle, the training wheels tearing away the cherubic face; or a bag of groceries, cartons of milk and bottles of cola, smashing into the little man; or a tipsy party bumping into him, his head smashing on impact or ripping off in one clean break. Or maybe this is an artist´s vision, leaving him incomplete and forever fascinating.
Photo – Nilay Puntambekar